Wednesday, 25 April 2012

Nigerians, Stop Running Away from your Shadows – Rudolf Ogoo Okonkwo



Sometime in the late 1980s, I found myself studying inside Ahmadu Bello University Library. I love libraries. I particularly liked this one because it was well stocked compared to most libraries of universities in the Southern parts of Nigeria. At Ahmadu Bello University library, William Shakespeare, for instance, had three rows of book shelves dedicated to his works and works on his works.
In the course of my peeping into books, I came across this book of poetry called, The Hallowed Men by T. S. Eliot. As I flipped through this book, I found few lines that have stayed with me ever since. I have quoted them to virtually anyone who had the misfortune of speaking to me for an hour or more. The lines go thus:
Between the idea
And the reality
Between the motion
And the act
Falls the Shadow…
I know that the shadow is important but I did not know how important it is until I saw the book called The Shadow Effect by Deepak Chopra, Debbie Ford, and Marianne Williamson. This book written by three great teachers explains how the shadow is the primary obstacle stopping us from attaining happiness. They concluded that the only way to behold the potentials in us and reach our authentic self is to embrace our shadow and not to deny it.
The Igbo says that nothing stands alone. When something stands, something else stands beside it. It means that there is always something dual about us- the good, the bad, light and dark, night and day, the sweet, the bitter. They are both needed to achieve wholeness. They play complementary role in our lives. One cannot live without the other. The shadow is connected to the soul.
The unmanaged shadow is what keeps many of us in the past. It drags us down, crushes our power, softens our creativity and defers our dreams. It closes our physical, emotional and spiritual paths that we find it difficult to blossom.
“You only have to gaze around you at the natural world to see the proof that beauty, form, order, and growth have survived for billions of years,” Deepak Chopra said. “In dealing with your shadow, you are aligning yourself with the same infinite power. The shadow isn’t a fearsome opponent but a worthy one. Powerful as it is, the power of wholeness is infinitely greater, and by a miracle of creation, it is within your grasp.”
According to Debbie Ford, you are haunted by your shadow if you spend more time worrying about other people’s opinion of you. You are haunted by your shadow if you are deeply resigned about the conditions of your life. You are haunted by your shadow if you interpret your mistakes as evidence that you are incompetent.
“In trying to express only those aspects of ourselves that we believe will guarantee us the acceptance of others, we suppress some of our most valuable and interesting features and sentence ourselves to a life of reenacting the same outworn scripts,” Debbie Ford added. “Reclaiming the parts of ourselves that we have relegated to the shadow is the most reliable path to actualizing all of our human potential. Once befriended, our shadow becomes a divine map that—when properly read and followed—reconnects us to the life we were meant to live and the people we were meant to be.”
Do you feel phony at all times? Are you always complaining? Do you always do things you regret? Do you feel inadequate and unworthy? Are you unwilling to say the truth because it runs contrary to the opinions of others? Are you always trying to avert disaster in your life? Do you feel bad luck follows you around? Are you always misunderstood and taken advantage of?
If so, it’s your shadow that is haunting you. It will continue to haunt you until it kills you.
As a nation, we, Nigerians feel phony. We complain a lot. We do things we regret. We feel inadequate and unworthy. We fear the truth. We are always trying to avert one disaster after another. It looks as if bad luck is always following us around. We are taken advantage of.
Each time we refuse to hold a national conference to discuss the way forward for Nigeria, we are running away from our shadows. Each time we find the reason not to tackle corruption, we are running away from our shadows.
“We’re often afraid of looking at our shadow because we want to avoid the shame or embarrassment that comes along with admitting mistakes,” Marianne Williamson said. “We feel that if we take a deep look at ourselves, we’ll be too exposed. But the thing we should actually fear is not looking at it, for our denial of the shadow is exactly what fuels it. One day I looked at something in myself that I had been avoiding because it was too painful. Yet once I did, I had an unexpected surprise. Rather than self-hatred, I was flooded with compassion for myself because I realized the pain necessary to develop that coping mechanism to begin with.”
No matter how fast we run, we cannot run away from our shadow. We have to turn around and confront it. Until we do so, it will keep pursuing us.

Tuesday, 24 April 2012

8th annual African Movie Academy Awards (AMAA) & List Of Winners


Popular Ghanaian actor Majid Michel and Nigerian Nollywood starRita Dominic last night clinched the top prizes as ‘Africa’s best’ in the world of movies as they walked away with the ‘Best Actor’ and ‘Best Actress’ awards at the 2012 edition of the African Movie Academy Awards (AMAA).

Majid picked up the coveted award for his lead role in the 2011 movie ‘Somewhere In Africa’ while the ever radiant-looking Dominic won the ‘Best Actress’ award for her lead role in the movie ‘Shattered’ beating the likes of Nse Ikpe-Etim, Uche Jombo and Yvonne Okoro.
The biggest win of the night however went to the South African movie ‘How to Steal 2 Million’ which bagged four awards, the highest of the night. Directed by Charlie Vundla, the movie bagged the awards for ‘Best Film’, ‘Best Actress in a Supporting Role’, ‘Best Actor in a Supporting Role’ and ‘Best Director’.
Lancelot Oduwa Imaseun’s ‘Adesuwa’ followed closely winning three awards which includes ‘Best Nigerian Film’. Kunle Afolayan’s ‘Phone Swap wasn’t left out as it won the ‘Achievement in Production Design’ award while Akin Omotoso won the ‘Special Jury’ award for ‘Man on the Ground’.
The awards which was held at the Expo Hall of the Eko Hotel and Suites was attended by a host of Nollywood actors, movie practitioners and industry players including Actors’ Guild of Nigeria (AGN) president Segun Arinze, former AGN boss Ejike AsiegbuTee-MacFlorence Ita-Giwa, Airtel Chairman Oba Otudeko and many others.
The show was hosted by Haitian-born Jimmy Jean-Louis and Nigerian actor OC Ukeje.
Hollywood stars present at the show include Morris Chestnut, Lynn Whitfield, Maya Gilbert andRockmond Dumbar.
Check out the full list below…
AMAA 2012 BEST SHORT FILM

Braids On Bald Head – Nigeria - Winner
JAMAA – Uganda
Look Again – Kenya
Maffe Tiga – Guinea
Hidden Life – South Africa
Mwansa The Great – Zimbabwe
Chumo – Tanzania
The Young Smoker – Nigeria
AMAA 2012 BEST DOCUMENTARY

African Election – Nigeria / Germany – Winner
Beyond The Deadly Pit – Rwanda
Awa Ogbe An African Adventure – Algeria
Dear Mandella – South Africa
White & Black, Crime And Colour – Tanzania
The Niger Delta Struggle – Ghana
There Is Nothing Wrong With My Uncle – Nigeria
How Much Is Too Much – Kenya
AMAA 2012 BEST DIASPORA FEATURE

Toussanat Louverture – France – Winner
Ghetta Life – Jamaica
High Chicago – Canada
Elza – Guadelupe
Better Must Come – Jamaica
Kinyanrwanda – USA
AMAA 2012 BEST DIASPORA DOCUMENTARY

The Education of Auma Obama – Germany – Winner
White Wash – USA
Almendron Mi Corazon – Guadeloupe
All Me The Life And Times Of Winfred Hubert – USA
AMAA 2012 BEST DIASPORA (SHORT FILM)

White Sugar In A Black Pot – USA-Winner
John Doe – USA
The Lost One – USA

AMAA 2012 BEST ANIMATION
The Legend Of Ngog Hills – Kenya - Winner
Oba – Nigeria
Climate Change Is Real – Kenya
Egu – South Africa
Chomoka – Kenya
AMAA 2012 BEST FILM BY AN AFRICAN LIVING ABROAD

Mystery Of Birds – USA / Nigeria – WinnerHousemates – United Kingdom / Nigeria
Ben Kross – Italy / Nigeria
Paparezzi Eye In The Dark – USA / Nigeria / Ghana
AMAA 2012 ACHIEVEMENT IN PRODUCTION DESIGN

Phone Swap – Nigeria- Winner
Somewhere In Africa – Ghana
Otelo Burning – South Africa
Adesuwa – Nigeria
How To Steal 2 Million – South Africa
AMAA 2012 ACHIEVEMENT IN COSTUME DESIGN

Adesuwa – Nigeria – WinnerThe Captain Of Nakara
Rugged Priest – Kenya
Somewhere In Africa – Ghana
Queens Desire
AMAA 2012 ACHIEVEMENT IN MAKE-UP

Shattered – Kenya – Winner
Rugged Priest – Kenya
State Research Bureau – Uganda
Adesuwa – Nigeria
Somewhere in Africa – Ghana
AMAA 2012 ACHIEVEMENT IN SOUNDTRACK

Alero’s Symphony – Nigeria – Winner
Otelo Burning – South Africa
Adesuwa – Nigeria
How To Steal 2 Million – South Africa
Somewhere In Africa – Ghana
AMAA 2012 ACHIEVEMENT IN VISUAL EFFECTS
Adesuwa – Nigeria – Winner
Behind The Mask
Somewhere In Africa – Ghana
State Research Bureau – Uganda
Otelo Burning – South Africa 
AMAA 2012 ACHIEVEMENT IN SOUND
State Of Violence – South Africa – Winner
Otelo Burning – South Africa
How To Steal 2 Million – South Africa
Man On Ground – South Africa
Algiers Murder – South Africa
AMAA 2012 ACHIEVEMENT IN CINEMATOGRAPHY
Othelo Burning – South Africa - Winner
How To Steal 2 Million – South Africa
Rugged Priest – Kenya
Masquerades – Ghana
Man On Ground – South Africa / Nigeria 
AMAA 2012 ACHIEVEMENT IN EDITING
How To Steal 2 Million – South Africa – Winner
Algiers Murder – South Africa
Man On Ground – South Africa / Nigeria
Unwanted Guest – Nigeria
Otelo Burning – South Africa
Alero’s Symphony – Nigeria
AMAA 2012 ACHIEVEMENT IN SCREENPLAY
Ties That Bind – Ghana – WinnerMr & Mrs – Nigeria
How To Steal 2 Million – South Africa
Otelo Burning – South Africa
Unwanted Guest – Nigeria
Two Brides And A Baby – Nigeria
AMAA 2012 BEST NIGERIAN FILM
Adesuwa – Winner
Unwanted Guest
Family On Fire
Alero’s Symphony
Phone Swap 
AMAA 2012 BEST FILM IN AN AFRICAN LANGUAGE
State Of Violence – South Africa – WinnerChumo – Tanzania
Family On Fire – Nigeria
Otelo Burning – South Africa
Asoni – Cameroun
AMAA 2012 BEST CHILD ACTOR
Tsepang Mohlomi (Ntwe) – Otelo Burning – WinnerRahman Junior Bande (Greg) – Behind The Mask
Reginna Danies (Jenny) – Bank Job
Benjamin Abemigisha and Racheal Nduhukire (Derick and Margaret) – JAMAA
Ayinla O Abdulaheem – ZR-7
AMAA 2012 BEST YOUNG / PROMISING ACTOR
Ivie Okujaye (Alero) – Alero’s Symphony – WinnerNeo Ntatleno (OJ) – State Of Violence
Iyobosa Olaye (Adesuwa) – Adesuwa
Martha Ankomah – Somewhere In Africa
Thomas Gumede and Sihle Xaba – Otelo Burning
AMAA 2012 BEST ACTOR IN A SUPPORTING ROLE
Fano Mokoena – Man On Ground – WinnerRapuldna Seiphemo (Twala) – How To Steal 2 Million
Hafiz Oyetoro – Phone Swap
Okechukwu Uzoesi – Two Brides And A Baby
Godfrey Theobejane – 48
Lwanda Jawar – Rugged Priest
AMAA 2012 BEST ACTRESS IN A SUPPORTING ROLE
Terry Phetto – How To Steal 2 Million – WinnerEbbe Bassey – Ties That Bind
Empress Njamah – Bank Job
Ngozi Ezeonu – Adesuwa
Thelma Okoduwa – Mr & Mrs
Omotola Jalade Ekeinde – Ties That Bind
AMAA 2012 BEST ACTOR IN A LEADING ROLE
Majid Micheal – Somewhere In Africa – WinnerMenzi Ngubane – How To Steal 2 Million
Chet Anekwe – Unwanted Guest
Jafta Mamabolo – Otelo Burning
Karabo Lance – 48
Wale Ojo – Phone Swap
Hakeem Kae-Kazim – Man On Ground
AMAA 2012 BEST ACTRESS IN A LEADING ROLE
Rita Dominic – Shattered – Winner
Nse Ikpe Etim – Mr & Mrs
Yvonne Okoro – Single Six
Ama K. Abebrese – Ties That Bind
Uche Jombo – Damage
Millicent Makheido – 48
Kudzai Sevenzo-Nyarai – Playing Warriors
AMAA 2012 BEST DIRECTOR
How To Steal 2 Million – Charlie Vundla – WinnerAdesuwa – Lancelot Oduwa Imaseun
Ties That Bind – Leila Djansi
Rugged Priest – Bob Nyanja
State Of Violence – Khalo Matabane
Man On Ground – Akin Omotoso
Otelo Burning – Sara Bletcher
AMAA 2012 PRIZE FOR BEST FILM

How To Steal 2 Million – South Africa – Winner
State Of Violence – South Africa
Adesuwa – Nigeria
Otelo Burning – South Africa
Rugged Priest – Kenya
Ties That Bind – Ghana
Man On Ground – South Africa / Nigeria

Upheaval in West Africa: Could Nigeria Be Next?




The recent coups in Guinea-Bissau and Mali raise question regarding whether radical political change will sweep other parts of west and sub-Saharan Africa. The region is of course no stranger to dramatic and frequent political change, with 26 successful coups have occurred between 1963 and 2000. While the past decade has been quiet by comparison, recent events in Guinea-Bissau and Mali appear to indicate a rising propensity for the region's militaries to reassert power at the expense of democracy.
In Mali, the Tuareg have maintained a fierce sense of independence despite numerous peace agreements having been signed with the government -- most recently in 2008. Ongoing grievances over the lack of investment and perpetual military involvement in the North have created underlying tension that prompted a mutiny by the armed forces which spiraled into the coup. Mali's military capitalized on the instability that is inherent in any fragmented state, but the ease with which it was able to sweep into power is a concern, as it represents the clear failure of a structural foundation to support the country's nascent democracy. So many Malians had become disenchanted with their country's political system and widespread corruption that the initial attempts to visit Mali by West African leaders following the coup were rebuffed by sympathetic crowds.
Guinea-Bissau's situation is somewhat different, the country having experienced at least six political assassinations and three attempted coups over the past three years -- making it by far the most coup prone country in Africa. Although a connection between events in Mali and Guinea-Bissau is perhaps therefore tenuous, it is a reminder (as if one were needed) that political change is an ever-present component of the landscape in many parts of Africa.
Having a democratic tradition spanning 32 years, Mali would not appear to be the most obvious contender for non-democratic change, but the rapid collapse of the government indicates that simply paying lip service to democracy will not prevent political upheaval. While the dramatic change of government in Libya may have contributed to the coup in Mali, events in both Guinea-Bissau and Mali remind us how fragile democracy in many West African states is. A combination of populations divided ethnically and/or religiously, weak central government control, and rising disillusionment by a greater percentage of citizens -- who object to rampant corruption and a failure on the part of the central government to deliver basic needs -- reinforces underlying fragility. And given that these fragile democracies often coexist with militaries who are underpaid and also disillusioned, it comes as no surprise that perceived security threats are often used as an excuse to promote political change.
So what does all this imply for Nigeria? Since the unification of Northern and Southern Nigeria in 1914, the country has long struggled to create a cohesive national identity. As a result of the inherent ethnic and religious tension between north and south, the Salafist movement Boko Haram (BH) has recently made its presence felt through a series of attacks on a variety of targets in the north. Since the movement's birth in 2003 it has maintained opposition to a secular government in Abuja, with the aim of making the country ungovernable. BH has changed its strategy -- moving away from attacking security forces and focusing instead on attempting to inflame existing sectarian tensions by targeting civilians. This is a particularly worrisome development considering the volatility of Nigeria's ethnic and religious fault lines.
Although much of the violence occurs along ethnic and religious lines, many of the underlying grievances that BH have been able to exploit revolve around perceived inequality between the north and south, especially regarding who is (and is not) benefiting from the nation's oil wealth. Despite Nigeria's booming economy -- with growth rates ranging between 5.4 percent and 7.9 percent from 2005 to 2010 -- the central government has failed to distribute oil revenues equitably. During the same period, the number of people living in absolute poverty actually rose, with those in the north faring worse than their southern counterparts. Similar to Mali, Nigeria has struggled to integrate the north of the country economically, resulting in further polarization along religious and ethnic lines.
Political relations in the country have also worsened since President Jonathon decided to break the implicit agreement he made with the country's political groups that leadership would rotate between northern and southern candidates every two terms. As he now attempts to push through a host of reformist policies the president faces strong opposition from influential northern politicians. Both Babangida and Gusau -- who vied with Jonathon for PDP leadership in the 2011 election -- have the potential to seriously undermine his government if they cannot find common ground. Concessions would most likely come from revisions to the Petroleum Industry Bill, the manner in which the Sovereign Wealth Fund operates, and, ultimately, granting amnesty to relatively moderate BH members. While such concessions would be damaging to Jonathan's reformist agenda, they would also likely result in a significant erosion of political support for BH.
This presents Jonathon with a serious conundrum: BH presently benefits from grass root support in the north of the country and its current campaign to raise sectarian tension is leaving the government in an increasingly weakened position. Given the rising potential for serious civil strife in the future, Nigeria's military may believe it has no choice but to intervene in the political process. Unfortunately for Jonathon, one of the most viable strategies for subduing the BH threat is to make concessions to northern political elites, but doing so runs the risk of jeopardizing long overdue progress against corruption and how the country's oil wealth is managed, which themselves are key to improving the governance and thus the stability of the country.
While the coups in Guinea-Bissau and Mali may not have immediate ramifications for Nigeria, the government would be smart to bear them in mind as it grapples with its plethora of problems. Maintaining strained relations across disparate regions is no recipe for a secure democracy, and in an ever shrinking world there is no telling when an external event may suddenly alter the balance -- as returning Tuareg fighters did in Mali. With its own pockmarked history of military juntas, Nigeria is of course no stranger to coups, and while the professionalization of its military and the country's rising prominence internationally would appear to make a coup less likely, the threat BH poses cannot be overlooked.
If BH achieves its aim of making Nigeria ungovernable, any outcome suddenly becomes conceivable, given Nigeria's modern political history. Preventing BH from exploiting sectarian tension is therefore paramount, but shoring up the support of northern political figures while driving through a reformist agenda will be no easy task. How resilient Nigeria will be to a future coup depends on whether president Jonathon is able to balance these two objectives. It is important to remember that Nigeria's return to democracy was only a dozen years ago. Given Nigeria's tumultuous political history, the propensity of its military to seize power, and the nature of current political change in North and West Africa, many Nigerians must be wishing their own democratic political foundation was a bit more entrenched.
Daniel Wagner is CEO of Country Risk Solutions, a cross-border risk consulting firm based in Connecticut (USA), Director of Global Strategy with the PRS Group, and author of the new book Managing Country Risk (www.managingcountryrisk.com).


Joshua Wallace is a research analyst with CRS.

Joshua can be followed on Twitter at: http://twitter.com/JLP_Wallace

Follow Daniel Wagner on Twitter: www.twitter.com/countryriskmgmt